This work deals primarily with the strange feeling of anybody which is confront to an experience of the foreign. What is the eye doing when it is confront to something it doesn’t know but it have already seen in numerous clichés? With a kind of Debordian dérive, begin a duel between the déja-vu and the already digested. The foreign never exist. Keeping in mind this background, this peculiar set is concentrated on the comportements of the -nowadays- urban mankind. It tries to show the differences between different metropolis. But finally, it doesn’t matter. Our globalized lifestyles looks the same and all the variances anyone could imagine and discover by travelling are drowned in their own soup. Everybody seems to be men without qualities. And so the main interrogation of this work could be summarized by the flat ontology theory -Anything is something- as Tristan Garcia wrote it.